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Nudes
A side to Rembrandt most people never knew of was his experimentation
with nudes. Rembrandt was most popular for his landscapes and self portraits
but he like many other artists had a keen fascination with nude art.

Study of a Female
Nude Seen from Back
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The British Museum in London caused a sensation with an exhibition
dedicated to a side of Rembrandt few people have experienced. A virtuous
Joseph is portrayed resisting the advances of a nude Potiphar's wife.
Eroticism in Art
This style of eroticism was well established in the fine arts by the seventeenth
century. Rembrandt's nudes were not meant to be provocative. His subjects
were not portrayals of muscular men or striking women, they were his interpretations
of the human condition.
Rembrandt etched only eight female nudes during his long prosperous career.
A Woman Bathing Her Feet in a Brook is a print that started as
a study of a nude model in his studio. He added foliage and a brook in
the background to create a warm outdoor setting.
Nude Woman with
a Snake c.1637
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Rembrandt's Women
Rembrandt used the women in his life as models for his nude paintings.
Saskia clutches an apple as she poses as Eve. He painted his sons nursemaid
Geertghe Dircx as a lush figure in some of his prodigally erotic etchings.
Hendrickje Stoffels appeared in some of his greatest paintings. He painted
her while she was pregnant and as a wondrous wader absorbed in the rippling
reflections of the water.
Exhibitions
Often his nude paintings would be absent in his art exhibitions. Art curators
would often consign these erotic prints to the store room. Not many people
today are even aware of their existence. Many recent catalogs of his prints
do not even mention the existence of any nudes.
Engravings
Unlike other artists who had engravers make prints of their work, Rembrandt
produced his own. He experimented with techniques like drypoint as well
as qualities of ink and paper that influenced the finished print. Drypoint
was an intricate technique where a design would be etched directly onto
a copper plate with a sharp instrument that resembled a pen with a sharp
edge.
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